Bridge Gate, Derby DE1
One of the most important examples of A.W.N. Pugin’s developing style, his first large parish church, his most ambitious essay in the Perpendicular idiom and his first collaboration with the builder George Myers. The building is of exceptional significance in the history of English church architecture in the 19th century generally, and in Roman Catholic church architecture in particular. The chapel addition by E.W. Pugin is of architectural importance and the building contains fixtures and fittings of high quality by Hardman, E. W. and P. P. Pugin and others.
The scheme for building St Mary’s was promoted by Rev. Thomas Sing, one of Pugin’s early clerical supporters. Pugin had become architect by appointment to the Midland Vicariate under Bishop Walsh from 1838, though the preparation of the scheme for St Mary had started in 1837. The church was opened in 1839. One of the benefactors was the Earl of Shrewsbury, Pugin’s most important patron. The church was hailed by Nicholas Wiseman as marking ‘the real transition from chapel to church architecture among us.’ It was also the first building on which Pugin and the builder George Myers collaborated. E.W. Pugin added a Lady Chapel in 1855, when a new altar and reredos, stained glass and a screen were introduced to the main building. The church was redecorated in the 1890s, and in 1927-28 the tower was found to be unsafe and a restoration took place, including work to the interior. An extensive restoration and refurbishment took place in 1986-89 when reordering by Martin Goalen included provision of a forward altar.
The extraordinarily brief list description is below. The building is executed in revived Perpendicular style with a (liturgical) west tower, clerestory, vaulted and canted apse and large Lady Chapel, a later addition of 1855 by E.W. Pugin. The interior is characterised by the soaring height of the slim arcades of the narrow five-bay nave, and the great richness of the chancel and Sanctuary. There is a handsome timber roof and the Sanctuary is framed by a wooden arch supporting a rood with figures of the Virgin and St John. The ornate Caen stone altar is by E.W. Pugin replacing his father’s original. Glass in the sanctuary is by Powell’s, replacing an earlier scheme by Warrington, and there are canopied and gilded sedilia. The large Lady Chapel by E.W. Pugin is in Decorated style, with arcaded screens, an altar designed by Peter Paul Pugin and fine windows by Hardman. The scheme of stencilling and gilding of the chapel and Sanctuary belongs to the 1980s restoration and represents partial recreation of the original stencilling scheme and new designs of similar type. Other furnishings, paintings and details are generally of high quality. It should be noted that attributions of authorship of some elements of the interior and interior fittings varies in different accounts and further study may be required to establish the attributions beyond doubt.
Original Date: 1837
Conservation Area: Yes
Listed Grade: II*